Architecture and Interior Photography – Get That Winning Shot

The only way to see how beautiful an architectural building looks like or how artistically a company’s interior is designed is by being there; and if you can’t do that, then well shot photographs are the next best thing. With thousands of photographs being uploaded on the internet daily, it’s hard to make yours stand out. If done correctly, and with the help of experienced professionals, then your pictures can actually outshine those of others.

To sum it up, architecture and interior photography is a work of art. With that said, let’s discover the ways to get a winning shot:

1. Use your Eyes before you Use your Camera

A professional architecture and interiors photographer will always see places through their eyes first and that usually takes the form of shooting the building with the client on a scout. With the guidance of the Designer, he’ll find the views of the building that have the most iconic design forms. Then he’ll shoot a few different angles of these sections to be sure he has the boldest view. These images will be used by both him and the Client to see whether or not certain views would look better with people, additional lighting or props, or that require special attention like needing to turn on a fountain that might otherwise be off during morning light. Every detail has to be taken into account. For instance, one crooked frame on the wall or a crooked lampshade might not look so flawed through your eyes, but in the final result, that single imperfection can make the whole photograph a failure.

2. Lighting is Camera’s Best Accomplice

While capturing a scene under the sun might not need special attention, when it comes to interior photography, proper lightening is all that matters. As a photographer, one has to be extra attentive to the light, the balance of its brightness, color, and quality as it can intensify certain textures while putting other areas into darkness. Lighting can be manipulated by photographers by augmenting with additional strobe or hot lights and sculpting the light with black flags and other similar tools.

3. Use the Weather to your Advantage

Looking at the Taj Mahal on a bright sunny day may feel like a pleasant view but when you see it through the lens of your camera, it may look just like another ordinary shot. Architectural photography can become tenfold better when dramatic weather conditions are used to intensify the greatness of a picture. For instance, capturing a building at dawn or dusk when the deep blues of the sky are reflected off its windows and contrasted with the warmth of the interior lighting can be breathtaking.

4. Catch the Lines

As a professional photographer, it is important to keep the vertical lines of your buildings straight. More often than not, it is a much stronger image if the vertical lines are not leaning one way or another; unless it is the leaning tower of Pisa. But even with the leaning tower of Pisa, it is preferable to have its diagonal lines parallel.

5. Use your Tools

While different photographers have their own unique style of taking a photo that satisfies them, it is still better to use the tools that professional photographers have been using for decades. A sturdy tripod and a computer to which you can tether, capture, and immediately see your image can help you ensure that your view is properly lit, that the vertical lines are in fact straight, and your pictures are sharp.

Moroccan Architecture and Interior Design

Moroccan architectural design and interiors showcases the country’s rich history through intricately carved archways and columns, exotic fine textiles in vibrant hues and geometric symmetry seen in doors and furniture. The seductive style adapts to modern, contemporary and traditional interiors. Opulent luxurious and global design, Moroccan style is a favorite of many interior designers. Architectural detail shaped by centuries of traditional Moroccan culture seen in cusped archways and keyhole doorways are some of the style’s most used elements.

Bold brilliant reds, vibrant oranges, lush greens and sapphire blues dominate the interiors, with a neutral background reflecting the rolling sand dunes of the desert or the brilliant Mediterranean ocean. Ornate carved furniture and silk upholstery are a must in Moroccan interiors. Brass cladded chests with camel motifs, or armoires with Arabic calligraphy, the green washed patina of the wood creates a mesmerizing story of the past. Cabinets with brilliant pinks and greens, contrasting with the brass, add in the rustic palace doors and the arched doorway, the opulent extravaganza blends well with muted walls.

Pashmina blankets and throws with beaded zardozi, silk curtains, gold trimmed sheer drapes spin tales of the Sheikhs and harems. Create spellbinding decor with hand embroidered bed throws and matching toss pillows. Dark wood carved armoires and coffee tables with brass and iron are resplendent in their contrast. Rustic dense carved woods and fine inlaid furniture, columns with stone bases and huge benches that are magnificently crafted from old oxcarts. Vivid imagination takes it a step further, using old palace doors as headboards, and a masterpiece bone carved dining table. Intricate detail and a mastery in color patterns, the inlaid bone chests and brass cabinets are a filled with beautiful artifacts.

Geometric symmetry is a must in architectural doors or columns as seen in stars, octagons, along with floral vine motifs and calligraphy. Apparent is the importance of numerology where as you see the 8 pointed star expanding into the 96 pointed ones as in the expansion of the universe, growth multiplied several times.Triple arches line up the courtyard and you enter through a beautiful colored teak door with old rustic patina. The traditional carvings and textures draw you into their old past, the energies multiplying with your lavish care and design. Beautiful serene gardens with a rustic daybed or bench, an old carved swing and brass planters, the setting is perfect for a romantic evening.

Outdoor Decor and Interior Design With Curtain Rods and Window Coverings

A beautiful yard is like a fabulously decorated home with Curtain Rods and Window Coverings: well thought out, purposefully designed and carefully put together.
If the impression your yard gives is as important of Curtain rods to you as the interior of your home for window coverings, you’ll want to invest time and thought into this outdoor extension of your living space. You’ll enjoy the rewards of your efforts for many years – and receive many compliments along the way!

Okay, to start: you’re the landscape architect – pull up a chair and let’s get to work! Let’s start by deciding:

What you want to use the space for.

This can be single or multi-purpose. Talk to everyone in the house and curtain rods and Window Coverings brainstorm together. You may want to keep the entire space in thick, green grass just for putting practice (single-purpose). Or you may want to have a space for the kids and another for adults (multi-purpose). Do you cook outdoors? Want a flower bed? How about an area for your pets?

The other thing that goes hand-in-hand with this is considering what you’re working with.

Is your land flat, hilly, rocky or full of trees?

How much sun/shade does each area get at different times of the day – and will it make a difference for that area’s purpose?

Do you have a noisy neighbor? You probably wouldn’t want to put a meditation corner near them.

Safety should be the first consideration for children’s play areas. Place them away from streets and alleys, don’t position the slide to end in the pond (unless that’s what you want) and keep Fido’s pooh-pooh area far away from their little feet! Using curtains and curtain rods we stop the direct sunlight in home. By using window coverings and curtain Rods we get cool sun light. Its an energy saving Idea.

Now get out a pencil and paper – or landscaping software – and map out the spaces, keeping in mind the “lay of the land” and other pertinent factors. For now just make general circles or squares to mark the space for each purpose.

What style you want to use.

Is it formal, informal, country, eclectic? And don’t forget to consider what’s already there, like the architecture of the house or the style of existing fencing. Consider the style of existing structures of curtain rods & window coverings that will stay and how those styles will fit in your plan.

What color palate you’ll use.
Of course you must consider other existing colors: siding and trim on existing buildings and fences, landscaping colors, maybe even the color of a neighbor’s garage if it’s butted up to your yard.

My house is blue with white trim, and that’s what I chose to use for the outdoor décor and interior Décor by curtain rods and window coverings: my chair cushions are a great blue floral, the stone deck is colored blue-gray and I just planted one of those gorgeous blue hyacinths next to the neighbor’s white fence. Now, I could have gone with a green palate because there’s so much green in the yard already (grass, trees), but that’s just me.

Now comes the fun – uh, I mean the hard part: shopping for everything you need. And color coordinating and curtain rods & window coverings it. And making sure the styles coordinate. And having friends over to analyze the work (over food and drinks of course). And somehow, somehow managing to hold up under the enormous amount of praise and compliments you’ll receive for your labors.

It’s a tough job. But someone’s got to do it. Might as well be you!

Architectural and Interior Design Photography – The Past and Present Cost of Technology

Photography in the 21st Century has changed significantly from what it was only ten years ago. In the past, an architectural photographer would have a significant but one-time investment in cameras and lenses. We would be faced with ongoing expenses for film, film processing and Polaroid test film that would apply to each photograph created. At the end of the chemical era, it was not surprising for these consumable expenses to exceed $100.00 per photograph and they would constitute 25% to 50% of the cost of photographing a project. If in a day’s shoot an architectural photographer would shoot five interior images and two exterior images, at the end of the day the bill to client would be in the range of $2000.00.

The Polaroid test film we had was of low resolution, rotten color (which is why I always used B/W Polaroid) and of very limited size; my 4×5 camera used 4×5 Polaroid and we had to make all of our decisions regarding composition, lighting and styling using a 4×5 inch print and a magnifying glass. It was better than trying to look through the camera, and we worked hard at making the most of each Polaroid because we all knew they cost money and the expense could rapidly consume our financial budget without a well-disciplined approach to the use of them.

Film processing was another expense variable that relied upon the skill and technical mastery of the photographer to maintain control and not blow our budgets. Because we were working on location without the luxury of having a photo lab on hand to process the film before we broke down a set, I would normally shoot six sheets of film for each photograph at the cost of $65.00 per photograph. And if the client wanted another version of the image it would require another six sheets of film constituting an additional $65.00 added to the cost of the project. Then it could take as much as a week to process the film and deliver it to the client for preliminary review and consultation on color and cropping.

As an architectural photographer in the San Francisco Bay Area I am thankful for the advent of digital photography, because we no longer need to strain our eyes to see if the flowers in the back corner of a shot are positioned properly. Today we can review the shot at full resolution on a laptop computer at magnification equivalent to a 20×30 print or more. Now we can not only tell if the flowers are in the proper location and oriented effectively, we can determine if the blossoms are overlapping each other or if the babies breath should be thinned. We can see the texture of the fabric on the sofa and the brush strokes in the paintings and make judgments of color representation and cropping on site before we break down and move on to the next photograph.

These most prominent of the benefits of digital photography and the easiest to describe. The rapid turn around, the retouching and other capabilities the digital process gives are valuable beyond measure. When digital photography became the standard, I and all of my clients all hoped the cost of a photo shoot would be reduced because we would no longer have the expense of Polaroid, and film processing. This hope soon faded.

The reality is that digital photographic and computer technology are advancing at remarkable rates, and to provide professional photographic services requires a significant and continual investment in upgrading hardware and software. There are significant expenses involved in simply archiving and cataloging the images we create for our clients because we need to have a triply redundant back-up system that includes off-site storage. And the expense of upgrading hardware and software is equaled or exceeded by the expense of continually learning the operation of new software and implementation of new procedures and industry standard practices to provide the services and products our clients need, not only today but in the foreseeable future as well.

The cost of consumable expenses (Polaroid test film, film and film processing) have been replaced by the cost of technology, and these costs must be billed to each photograph or project in order for the photographer to provide these services in an ongoing manner. The photographer who is not billing these costs to the project is a poor business manager and is operating with an unsustainable business model.