Moroccan Architecture and Interior Design

Moroccan architectural design and interiors showcases the country’s rich history through intricately carved archways and columns, exotic fine textiles in vibrant hues and geometric symmetry seen in doors and furniture. The seductive style adapts to modern, contemporary and traditional interiors. Opulent luxurious and global design, Moroccan style is a favorite of many interior designers. Architectural detail shaped by centuries of traditional Moroccan culture seen in cusped archways and keyhole doorways are some of the style’s most used elements.

Bold brilliant reds, vibrant oranges, lush greens and sapphire blues dominate the interiors, with a neutral background reflecting the rolling sand dunes of the desert or the brilliant Mediterranean ocean. Ornate carved furniture and silk upholstery are a must in Moroccan interiors. Brass cladded chests with camel motifs, or armoires with Arabic calligraphy, the green washed patina of the wood creates a mesmerizing story of the past. Cabinets with brilliant pinks and greens, contrasting with the brass, add in the rustic palace doors and the arched doorway, the opulent extravaganza blends well with muted walls.

Pashmina blankets and throws with beaded zardozi, silk curtains, gold trimmed sheer drapes spin tales of the Sheikhs and harems. Create spellbinding decor with hand embroidered bed throws and matching toss pillows. Dark wood carved armoires and coffee tables with brass and iron are resplendent in their contrast. Rustic dense carved woods and fine inlaid furniture, columns with stone bases and huge benches that are magnificently crafted from old oxcarts. Vivid imagination takes it a step further, using old palace doors as headboards, and a masterpiece bone carved dining table. Intricate detail and a mastery in color patterns, the inlaid bone chests and brass cabinets are a filled with beautiful artifacts.

Geometric symmetry is a must in architectural doors or columns as seen in stars, octagons, along with floral vine motifs and calligraphy. Apparent is the importance of numerology where as you see the 8 pointed star expanding into the 96 pointed ones as in the expansion of the universe, growth multiplied several times.Triple arches line up the courtyard and you enter through a beautiful colored teak door with old rustic patina. The traditional carvings and textures draw you into their old past, the energies multiplying with your lavish care and design. Beautiful serene gardens with a rustic daybed or bench, an old carved swing and brass planters, the setting is perfect for a romantic evening.

Outdoor Decor and Interior Design With Curtain Rods and Window Coverings

A beautiful yard is like a fabulously decorated home with Curtain Rods and Window Coverings: well thought out, purposefully designed and carefully put together.
If the impression your yard gives is as important of Curtain rods to you as the interior of your home for window coverings, you’ll want to invest time and thought into this outdoor extension of your living space. You’ll enjoy the rewards of your efforts for many years – and receive many compliments along the way!

Okay, to start: you’re the landscape architect – pull up a chair and let’s get to work! Let’s start by deciding:

What you want to use the space for.

This can be single or multi-purpose. Talk to everyone in the house and curtain rods and Window Coverings brainstorm together. You may want to keep the entire space in thick, green grass just for putting practice (single-purpose). Or you may want to have a space for the kids and another for adults (multi-purpose). Do you cook outdoors? Want a flower bed? How about an area for your pets?

The other thing that goes hand-in-hand with this is considering what you’re working with.

Is your land flat, hilly, rocky or full of trees?

How much sun/shade does each area get at different times of the day – and will it make a difference for that area’s purpose?

Do you have a noisy neighbor? You probably wouldn’t want to put a meditation corner near them.

Safety should be the first consideration for children’s play areas. Place them away from streets and alleys, don’t position the slide to end in the pond (unless that’s what you want) and keep Fido’s pooh-pooh area far away from their little feet! Using curtains and curtain rods we stop the direct sunlight in home. By using window coverings and curtain Rods we get cool sun light. Its an energy saving Idea.

Now get out a pencil and paper – or landscaping software – and map out the spaces, keeping in mind the “lay of the land” and other pertinent factors. For now just make general circles or squares to mark the space for each purpose.

What style you want to use.

Is it formal, informal, country, eclectic? And don’t forget to consider what’s already there, like the architecture of the house or the style of existing fencing. Consider the style of existing structures of curtain rods & window coverings that will stay and how those styles will fit in your plan.

What color palate you’ll use.
Of course you must consider other existing colors: siding and trim on existing buildings and fences, landscaping colors, maybe even the color of a neighbor’s garage if it’s butted up to your yard.

My house is blue with white trim, and that’s what I chose to use for the outdoor décor and interior Décor by curtain rods and window coverings: my chair cushions are a great blue floral, the stone deck is colored blue-gray and I just planted one of those gorgeous blue hyacinths next to the neighbor’s white fence. Now, I could have gone with a green palate because there’s so much green in the yard already (grass, trees), but that’s just me.

Now comes the fun – uh, I mean the hard part: shopping for everything you need. And color coordinating and curtain rods & window coverings it. And making sure the styles coordinate. And having friends over to analyze the work (over food and drinks of course). And somehow, somehow managing to hold up under the enormous amount of praise and compliments you’ll receive for your labors.

It’s a tough job. But someone’s got to do it. Might as well be you!

Architectural and Interior Design Photography – The Past and Present Cost of Technology

Photography in the 21st Century has changed significantly from what it was only ten years ago. In the past, an architectural photographer would have a significant but one-time investment in cameras and lenses. We would be faced with ongoing expenses for film, film processing and Polaroid test film that would apply to each photograph created. At the end of the chemical era, it was not surprising for these consumable expenses to exceed $100.00 per photograph and they would constitute 25% to 50% of the cost of photographing a project. If in a day’s shoot an architectural photographer would shoot five interior images and two exterior images, at the end of the day the bill to client would be in the range of $2000.00.

The Polaroid test film we had was of low resolution, rotten color (which is why I always used B/W Polaroid) and of very limited size; my 4×5 camera used 4×5 Polaroid and we had to make all of our decisions regarding composition, lighting and styling using a 4×5 inch print and a magnifying glass. It was better than trying to look through the camera, and we worked hard at making the most of each Polaroid because we all knew they cost money and the expense could rapidly consume our financial budget without a well-disciplined approach to the use of them.

Film processing was another expense variable that relied upon the skill and technical mastery of the photographer to maintain control and not blow our budgets. Because we were working on location without the luxury of having a photo lab on hand to process the film before we broke down a set, I would normally shoot six sheets of film for each photograph at the cost of $65.00 per photograph. And if the client wanted another version of the image it would require another six sheets of film constituting an additional $65.00 added to the cost of the project. Then it could take as much as a week to process the film and deliver it to the client for preliminary review and consultation on color and cropping.

As an architectural photographer in the San Francisco Bay Area I am thankful for the advent of digital photography, because we no longer need to strain our eyes to see if the flowers in the back corner of a shot are positioned properly. Today we can review the shot at full resolution on a laptop computer at magnification equivalent to a 20×30 print or more. Now we can not only tell if the flowers are in the proper location and oriented effectively, we can determine if the blossoms are overlapping each other or if the babies breath should be thinned. We can see the texture of the fabric on the sofa and the brush strokes in the paintings and make judgments of color representation and cropping on site before we break down and move on to the next photograph.

These most prominent of the benefits of digital photography and the easiest to describe. The rapid turn around, the retouching and other capabilities the digital process gives are valuable beyond measure. When digital photography became the standard, I and all of my clients all hoped the cost of a photo shoot would be reduced because we would no longer have the expense of Polaroid, and film processing. This hope soon faded.

The reality is that digital photographic and computer technology are advancing at remarkable rates, and to provide professional photographic services requires a significant and continual investment in upgrading hardware and software. There are significant expenses involved in simply archiving and cataloging the images we create for our clients because we need to have a triply redundant back-up system that includes off-site storage. And the expense of upgrading hardware and software is equaled or exceeded by the expense of continually learning the operation of new software and implementation of new procedures and industry standard practices to provide the services and products our clients need, not only today but in the foreseeable future as well.

The cost of consumable expenses (Polaroid test film, film and film processing) have been replaced by the cost of technology, and these costs must be billed to each photograph or project in order for the photographer to provide these services in an ongoing manner. The photographer who is not billing these costs to the project is a poor business manager and is operating with an unsustainable business model.

The Importance Of Architecture And Interior Design For Retail Businesses

Opening and running a retail business is more complicated than just buying or renting a space and opening for business. There is competition and the whim of the public to consider. there is also the proper display of merchandise and the safety of the shoppers who come. well designed businesses attract more customers and sell more of their goods. they also stay in business longer and make better profits. Taking the time and making the investment in a good architect or Interior designer is just good business.

Some things that must be considered in planning a retail business are location, store front design, traffic flow inside the business, customer safety, color scheme, ambiance, decor style, ease of maintenance and customer convenience. Location of different departments and display cases can make a big difference in the success or failure of a business. A professional store designer can put together floor plans that will work for each kind of business that take safety and traffic flow into consideration. Most businesses have one chance to impress the buying public. Waste that chance with bad ambiance or poor store design and the business will fail.

The first consideration, after location choice, is matching the design and decor to the product to be sold. A gourmet restaurant needs a different decor than a coffee shop or fast food place. A sea food restaurant needs different decor than an Irish pub and so on. The decor needs to match the product sold to be most effective. Most customers will be expecting certain decor for the product they are shopping for. An intimate apparel and lingerie shop will have a more feminine feel than a men’s sportswear shop. An Interior Designer or an architect specializing in retail design can suggest decor and merchandise arrangement that will help customers shop with ease and purchase more.

Once the business has a design that matches the merchandise, it is important to pick a decor theme within that design. This theme can be ultra contemporary, European, glam or traditional and everything in between. this theme can be in different colors. It is important to pick a color scheme that is pleasing to customers and encourages them to buy. There are studies that show certain colors in restaurants work better than others to encourage customers to eat and drink more. The colors of walls, flooring and store furnishings should all go pleasantly together making customers comfortable and in a mood to buy more.

All the decor items in a business should be easy to maintain and safe for clientele. flooring choices should be considered with safety in mind. No one wants customers slipping and hurting themselves on a too shinny flooring. The floor plans should group related items together for customer convenience. Check out lanes should be conveniently located and manned. A well designed and implemented store will sell more merchandise.